by Petyr Campos
Celebrating 20 years of Pretty in Black, Monday night at The Independent were The Ravenoettes, in addition to promoting their latest album ‘Pe’ahi II’. The Raveonettes are a Danish indie rock duo, consisting of Sune Rose Wagner on guitar and vocals, and Sharin Foo on bass, guitar and vocals, and Jakob Hoyer on drums. Their music is characterized by close two-part vocal harmonies, coupled with hard-edged electric guitar, overlaid with liberal doses of noise.
Going to a Raveonettes concert is less about spectacle and more about immersion in tone, texture, and mood. The duo thrives on tension, between light and dark, noise and melody, quiet moments and full-on sonic assaults. Their show is a journey through their discography, rewarded with emotional peaks and visceral soundscapes. The show was intense, atmospheric, and loud, with the heavy use of effects, distortion, and strobes, which gives them a dark, immersive energy.
Poppy Jean Crawford opened for The Raveonettes with a great performance. This was the first time I’ve seen and heard Poppy Jean Crawford perform. She has a hypnotic stage presence that really draws you in. Her music creates an atmospheric, trance like moody tone that feels immersive, drawing the listener into emotional and sonic spaces.
Her musical vibe incorporates elements of hard gothic alt-rock, dance-y, synth, and whispery indie pop, creating moody, layered pop songs. Poppy Jean Crawford is an American singer, songwriter, and musician based in Los Angeles. She grew up in Southern California (Los Angeles area) in an artistic family: her mother is a filmmaker and music-video director, and her father is an artist. She began performing live when she was about 15 years old. and at age 19, she signed with Danger Mouse’s label, 30th Century Records.
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