words by Patty Riek
photos by Paige Parsons

Aldous Harding’s sold out show at the Castro Theatre on Monday, September 28 felt like a religious service. The low alternating fuchsia and blue lights washed over a smoking haze, the ornate features of the restored 1922 building glittered on the periphery, the quietude between songs invited contemplation. Watching Harding’s expressive persona is akin to seeing an ecstatic experience. Her facial expressions, hand movements, use of vocal range and ballet-esque dancing create an other worldly aura.


Working though most of her new album, Train on the Island and weaving-in previous hits, the evening was full of stand out moments including “I Ate the Most.” Harding played a small egg shaker in syncopation with the song creating a sonic conversation. Her rendition of “Treasure” began with Harding’s solo vocals and guitar. Gradually Mali Llywelyn added simple piano cords, the rest of the band softly joined with vocals – each distinct layer subtly merging. Harding’s “San Francisco” delighted the audience both because of its relatability – we’ve all “lost [our heads] in San Francisco” at one time or another – and her parallel guitar piece with H. Hawkline was magical.
Commenting on her lack of banter between songs, Harding noted that she really doesn’t like talking while tuning, so when she does have something to say, it’s special and the audience listens intently. Her introduction to fan favorite “Fever” which she described as “a love song about crying and shouting.” Before “Coats” Harding said, “Thank you for letting me be myself, this one’s about me.”






Harding’s band is comprised of uber talented multi-instrumentalists: H. Hawkline (Huw Evans) (bass, guitar, keyboards, vocals), Gwion Llewelyn (drums), Mali Llywelyn (keyboards, harp, vocals), Harry Bohay (guitar, pedal steel). They shared instruments, sang, and added the delicately nuanced layers to execute Harding’s musical visions.
After a rousing ovation, Harding and the band returned for a moving three song encore of “Zoo Eyes,” “Imagining My Man,” and “Designer.” With the big wave from Harding, the service was over.





Starting the evening was singer songwriter Sam Burton on guitar, joined by Matt Popieluch of “Big Search.” Burton’s gentle songs furnished a coffee house vibe perfectly setting the mood for Harding.
